Showing posts with label Challenge. Show all posts
Showing posts with label Challenge. Show all posts

Tuesday, June 23, 2015

2015 International Freeform Fiberarts Guild Challenge: Ocean

Ocean Hours

A six-panel wall hanging inspired by time lapse photography and by the ocean at Pine Knoll Shores, North Carolina, USA. This was created for the 2015 Challenge: Ocean of the International Freeform Fiberarts Guild, and the entire show is on their website blog.
The First Four Panels



Sunrise


Noon









Sunset

Midnight




Pre-Dawn

Twilight - Taken Apart

Handspun yarn in rocks

Midnight in process

Original Noon - Taken Apart



Too small for the wall

Beginning of sunrise

Scrap from originial Noon


Tuesday, June 16, 2015

IFFA Guild Challenge 2015

Within the next week or two, the International Freeform Fiberarts Guild will post the works of art for Challenge 2015 - Oceans: The Color of Water. More than 50 artists from around the world participate each year in the Challenge. I have been a participating member for the past few years.

Until the Challenge is published (book and website), I can't reveal my offering for this year, but I can show you parts of the process. When I first learned to spin, I bought some pale blue thick and thin handspun yarn and some same color bulky yarn from MamaJude in Pine Lake, Georgia. So, I picked it up and squeezed it a bit, visualizing this as sky reflecting the color of the ocean in the early morning. It called to be knitted; so I pulled out some very large knitting needles and began making sky. Here's the beginning of the sky in a herringbone pattern.
After a bit I decided that every ocean place needed sand and rocks. I just recently began spinning in earnest; so I had that marvelously overspun alpaca in a chocolate brown. It kinked and curled and twisted - perfect for gnarly rocks.


I finished a panel, looked at it, decided that this spiral sitting in the middle of it was detracting from the flow; so I unstitched the top. The bottom was all crocheted together; so I reluctantly picked up the scissors and began snipping - hoping to save much of the piece. 


That did not happen. Because this is freeform, I had crocheted round and over and under and forwards and backwards without regard to possible changes. This great junk pile is the result.

Suddenly four panels (16" x 20") were finished. I sewed them to latch hook rug backing and then stapled that to foam core and hung them over the sofa in my living room. That wall is BIG, and they were lost on it. More panels were needed.

In two days, I created a Pre-Dawn panel that lacks a few finishing touches.
Several parts have my hand-spun yarn: the top of the sky, the white clouds, the sun rays, and the rocks. I have spun some balanced yarn, but I didn't like it very much. I can buy balanced yarn. I can't buy the irregular yarns that give interest to my wall hangings.

The white clouds are tail-spun Border Leicester, firm and scrunchy and white. At the edge, unseen in this picture, is some hand-spun cream Suri alpaca. I've spun a bit more of the yarn like the sky to use as sun rays becoming gradually darker towards the edges. The top needs to be squared, and this piece will be ready to hang.

Tomorrow I'll begin another panel - maybe a twilight ocean panel?


Sunday, February 22, 2015

Blue Jungle


For the 2014 International Freeform Fiberarts Guild Challenge - One Color - I began at Christmas when I heard Elvis' song, "Blue Christmas". I knew it had to be blue. My mind jumped to another song, "Blue Bayou", and my theme was chosen. The finished sculpture was published in the book "One Color", edited by Cyra Lewis (http://www.blurb.com/b/5466596-one-colour) and published by Blurb as well as on the IFFG page (http://ffchallenge2014.weebly.com/2014-challenge-theme----one-color.html).
First, I selected yarn for the project - so many blues - so many textures - so many sizes of yarn - quantities ranging from a few yards to several balls.

Then, I searched the internet for pictures of jungles, tropical plants, vines, leaves, and ferns.


I sketched a bit in my journal with thoughts of a square wall hanging. My work board is a blue square; so that was easy. The floppy leaves on the right were the first pieces I created - two meandering leaves. Then I tried a round piece, but it didn't fit my ideas. The Irish Crochet looking leaf on the bottom left came next - from a pattern by a friend in The Netherlands - Hyke Groen (http://www.bizzyhands.nl/). I started a river using slip stitch, a very cool stretchy piece. And, I made some spirals.






The angel wing begonia originally grown by my great-grandmother had died recently; so I created a begonia leaf pattern and made half a dozen begonia leaves in different colors. We had tried some "encasing" techniques in a ravelry group; so I added some swampland next to the river. I wanted some tall leaves such as the mother-in-law tongue leaves; so I added some of them on the left.  And, I tried my hand at Irish Crochet buttons and some crocodile stitches.





I created some variegated grass (at the bottom) and made a tree with a limb and some vines. The fuzzy ferns on the right came along as well as the clump of mushrooms.

But the pieces did not fit on a wall hanging; they confidently demanded to be a sculpture.




A 24" square of plywood covered with some leftover denim became a base, and an old pillow gave its innards for a hill. The tree stood upright with the help of a cardboard tube stapled to the plywood.

The river got bigger; the vines got longer, the spirals hung off the tree; the tree limb drooped. Needle felted rocks edged from the hillside into the river and the mushrooms gathered around the tree trunk.

That left a lot of blue denim showing.








Florist wire helped the begonia leaves curl and twist, but I couldn't figure how to attach them; the padding wouldn't hold them upright.

I tried florist foam and florist wet foam, but they both shredded when I put them underneath the denim. David glued several pieces of inch-thick styrofoam together, and I cut it into the shape I needed. The florist wire poked through the denim and into the styrofoam easily, and I arranged the leaves.





The swamp from the beginning had to come out and was replaced by some knitted water with lily pads and lumps. The river grew a waterfall at the edge.

The tree got a square stick screwed into the base, and the floppy tree limb got a dowel stapled to the stick. The pillow stuffing covered all the rough edges and various blue pieces covered the stuffing.










The back got some terra-scaping and the crocodile stitches nestled at the base of the tree.















The vines were fun to make - chain stitches with limpet stitch and popcorn stitch and other little furls.
















The begonia leaves were happy on their hill.














Lily pads floated calmly in their backwater.












And, the fairies opened a portal with a walkway and flowers at the back under a fern.






Monday, January 5, 2015

Swatching and testing

Yarn that is very thick and very thin presents a problem for crocheters wanting to show off the beauty of the fiber. Do I want a tight weave and possibly lose some of the thin contrast? Can I use a very open stitch with a big hook to show every nuance? Should I just go ahead and knit it and forget about crochet?

I pondered these questions as I began work on my 2015 Challenge piece for the International Freeform Fiberart Guild -  a Yahoo group with affliate versions on Ravelry and Facebook. (Here's the link for the 2013 challenge, 2012 and previous, and 2014.) My Challenge pieces have been types of work that I've not done before; new stitches, new combinations, new inspiration, NEW. I like new, but, if you know me, you already know that. This year will be no different in that respect.

So, when Mama Jude of Mama Jude's Plant Dyed Stuff showed me the big hank of thick and thin blue yarn, I was excited to try this type of yarn. The sections are short, and I tried a swatch crocheting only the thin sections leaving the thick sections in great loops. It was beautiful but not what seems right for the 2015 theme: Ocean - the color of water. So, I changed to a size 30 hook and did some single crochet with it. Nix on that. Finally the size 15 knitting needles felt right, and I began a 30 stitch cast-on; after 20 stitches, I stopped and knit one row. Nice, but not quite right.

Back to Ravelry to look at uses of thick 'n thin yarn. The stitches used in  By Day, By Night scarf are interesting, and I've used them twice, but wait. My So-Called Scarf (found on Ravelry but the link doesn't work) produces a herringbone-like appearance; perhaps that will work. Ahhhhh. Slip one, knit one, PSSO. Answer phone. Where was I? Oops. Not there. Dang. dropped that stitch.

The herringbone stitch pattern pulls the yarn in so that my 20 stitches were suddenly 10 stitches short of my goal. After five rows and five interruptions, I decide that is a good look. But I also liked the crocheted shell pattern that I saw; maybe I should try it. Transition from knitting to crocheting and proceed with double crochet shells.

A combination of herringbone and shells! Mama Jude's indigo dyed thick 'n thin yarn has found a pattern.

(Note photographs and specific discussions of the work itself are deferred to post publication in June.)