Spinning

In December 2014 I asked Mama Jude, an indie plant dyer and spinner in Atlanta, how a spindle worked. She reached into a bowl on the table, took out a dowel and a little wooden wheel, jammed them together and put a cup hook on the end of it. Then she picked up some red fleece and began to spin. After a minute or two, she handed it to me; suddenly, I was making yarn on a spindle. And, I was addicted. She gave me the rest of the fleece and the spindle, and I spun it into a bulky, slightly overspun single ply yarn. I take it out and fondle it occasionally.

I ordered some fleece in a couple of different breeds and colors and made lots of overspun yarn. Then someone pointed me to learning videos, and I saw someone spin art yarn on a spinning wheel. She made it look so easy. Abby Fraquemont spins some of the most beautiful yarns I have ever seen; so does Natalie Redding. I began to wonder if I could spin on a wheel. So I signed up for a course at The Yarn Lady, our local yarn shop. Lady Marge brought her beloved Lendrum wheel and showed me briefly how to use it. Then I sat at the wheel and began over-spinning some more fleece. When I'd gotten the hang of the wheel, she gave me some soft, multi-colored fleece, and the result was wild. I asked about adding bits and pieces to it; so we did! I have worn my first wheel-spun yarn as a cowl, but the bits and pieces aren't staying put. But, I knew I could use a wheel.

In April 2015 at Stitches South in Nashville, I sat down at a Lendrum similar to Lady Marge's at Carolina Homespun and began spinning. My grin was so big my lips hurt. The wheel came home with me. It's a double treadle, Scotch tension with a bulky flyer. 

The car was loaded with fleece and wheel.

Then I visited The Barn Yarn in Clermont, Florida, and spied some washed alpaca fleece - bought some. Online again, I watched Natalie do lock spinning, and I pulled out some of my washed alpaca to lock spin. The result was interesting, sturdy and became clouds in one of my wall hangings.

I began spinning everything I had, ordered more, combined handspun and commercial yarns into wild looking pieces - none of which were longer than about 25 yards. 

While I was away at Stitches South, my honey went to the shearing at our favorite alpaca farm and brought me the fleece of Godiva, a chocolate yearling. It is wonderfully soft and makes a marvelous yarn.

Now, I was smitten with the bug of processing my own fleece. While living in North Carolina, I had visited a couple of farms and had some alpaca fleeces already, had bought some dog brushes to use as carders and some screens for washing raw fleece. So, I was ready. I had found some wool fleece that I washed and carded and used a blending board to make it into rolags (tubes of fleece for spinning). 

One day, Jan said, I know someone who has a drum carder for sale. That's much faster and easier way to card fleece than dog brushes; so I bought it from Gerri, who used to raise Angora bunnies. She gave me all the fleece she had left. My living room floor was full of boxes of drum carder and fleece - angora, cashmere, wool/silk, and other stuff.

I've managed to get the carder set up on a wooden tv tray so that I can move it outside to work on the porch, and I've repacked the boxes of fleece into only four containers. 

A couple of days ago, I pulled out some angora and sat down at the wheel. A few minutes later, I had some angora yarn - a worsted weight with some nice bumps and slubs that will make great sand for one of my Ocean Hours panels - expensive sand, but, hey, that's okay for right now.

Flashback to CGOA Concord, NC, 2013

What a glorious time I've had at fiber conferences. My first was Stitches South in Atlanta in 2009, where I had my first course with Laura Bryant, color specialist. I spent more time on the market floor than I did in classes and met Judy who owned Interlacements at that time. Later I visited her in New Mexico, met her animals (horses, dogs, cats) and watched her dye some wonderful yarn. I'm still using some of the wonderful yarns from that trip. She is gone, but others are carrying on the colorful fiber tradition with Interlacements.

My second fiber conference was CGOA 2011 in Greensboro, NC, where I had a great course with Prudence Mapstone, learning the ins and outs of freeform. And, I fell in love with it there. I had done a little bit of creating a coral reef, but Prudence showed us how to make bullions, how to join and how to tuck in the ends. We got to try on some of her great creations and watch her make things. She would walk around and answer questions by saying, "May I?" Then she'd take your scrumble and show you how to do whatever you asked. So most of us came away with little pieces of Prudence's work amongst our scrumbles.

My third fiber conference was CGOA in Concord, NC, in 2013, where I was privilege to take a class with the also very great Margaret Hubert, a prolific writer and teacher. We would gather around her chair as she sat in the middle of the room and watch her do specific stitches and joins as well as learn by looking at her work, testing our skills in what she proposed doing. I published photos of the vendors at that conference, but I never posted pictures of the workshops. So here are a few.


 Here is Margaret Hubert talking about how she created her freeform cream sweater/jacket.





















Juanita and others listen attentively

 The other half of the classroom with Joyce in the very back









Margaret taught us how to make limpet stitches












We came prepared with some pieces and made lots more during class with Margaret helping us arrange them to make a purse.